Construction technique of The Great Pyramid is discovered

The Great Pyramid of Giza (also known as the Pyramid of Khufu) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. The Great Pyramid was built over a 10 to 20-year period concluding around 2560 BCE. Initially at 146.5 meters (481 feet), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Initially at 146.5 meters (481 feet), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. The mass of the pyramid is estimated at 5.9 million tonnes. The Great Pyramid  consists of an estimated 2.3 million blocks to have been transported from nearby quarreies carried by boat either up or down the Nile River to the pyramid – believed by most people. The block used in King’s chamber is 80 tonnes. But it is a million dollar question, how the blocks were dragged, lifted or even rolled in place. It is only possible technique that the workforce cut mountains to shape it as pyramids.

People of the ancient period could not use modern technologies, or modern techniques. It is impossible to build a pyramid, even now, without the help of modern technology. No one will be able to do it. But with only hammer, cutters, water of Neil, The workforce have made this within a long time. Workmen cut the mountain to shape it as pyramids. Actually the was taller than the height of pyramid. After completing the outer shape, they made the tunnels, chambers, doors etc. They also scratched the surface of the pyramids body both inside and outside to show it as block-made. As they did not use man-made bricks, foundation or other process, so the pyramid is still intact against earthquake, storm or other natural disaster. We always think about foundation, beam, pillar, cement, concrete mixing but ancient workforce was not afraid about this. If it was built by pieces/blocks of stone, it would damage into dust within 4,500 years. Can anyone destroy a mountain with a sword? No warlord could destroy The Great Pyramid as it is actually a mountain.


Since June 2012 my family is planning to build an apartment complex with my neighbors, where we live now. A series meeting took place for this. We, the people of Dhaka city, are facing earthquakes from time to time. So I had to read books about construction process then. Suddenly I discovered this idea, if we cut a mountain to shape it as apartment complex, will be able to fight against earthquake. By this, now I realize how the ancient workforce developed The Great Pyramid.


Thanks,
Tawhidur Rahman Dear
 

āĻĒিāϰাāĻŽিāĻĄ āύিāϰ্āĻŽাāύ āĻ•ৌāĻļāϞেāϰ āĻĒ্āϰāĻ•ৃāϤ āϰāĻšāϏ্āϝ āωāĻŽ্āĻŽāϚিāϤ

āĻŽিāϏāϰেāϰ āĻĒিāϰাāĻŽিāĻĄ āĻŦিāĻļ্āĻŦāĻŦিāĻ–্āϝাāϤ āϝা āϏāϰ্āĻŦāĻĒ্āϰাāϚিāύ āĻ“ āϏāϰ্āĻŦāĻŦৃāĻšā§Ž। āĻāχ āĻĒিāϰাāĻŽিāĻĄ āϏāĻŽ্āϰাāϟ āĻ–ুāĻĢুāϰ āϤৈāϰি āĻŦāϞে āĻ–ুāĻĢুāϰ āĻĒিāϰাāĻŽিāĻĄ āύাāĻŽেāĻ“ āĻĒāϰিāϚিāϤ। āĻĒ্āϰাāϚিāύ āĻĒৃāĻĨিāĻŦীāϰ āϏāĻĒ্āϤাāĻļ্āϚāϰ্āϝেāϰ āĻŽāϧ্āϝেāĻ“ āϤা āϏāϰ্āĻŦāĻĒ্āϰাāϚিāύ āĻāĻŦং āĻāϟাāχ āĻāĻ•āĻŽাāϤ্āϰ āĻ…āĻ•্āώāϤ। āĻĒ্āϰাāϝ় ⧍ā§Ģā§Ŧā§Ļ āĻ–্āϰিāώ্āϟāĻĒূāϰ্āĻŦে āĻĒ্āϰাāϝ় ā§§ā§Ļ āĻšāϤে ⧍ā§Ļ āĻŦāĻ›āϰ āϏāĻŽāϝ় āύিāϝ়ে āĻāχ āĻĒিāϰাāĻŽিāĻĄ āύিāϰ্āĻŽিāϤ āĻšāϝ়। āĻĒ্āϰাāϝ় ā§§ā§Ēā§Ŧ.ā§Ģ āĻŽিāϟাāϰ (ā§Ēā§Žā§§ āĻĢুāϤ)āωāϚ্āϚāϤা āύিāϝ়ে āĻĒ্āϰাāϝ় ā§Šā§Žā§Ļā§Ļ āĻŦāĻ›āϰ āϧāϰে āĻāχ āĻĒিāϰাāĻŽিāĻĄ āĻŽাāύāĻŦāϏৃāώ্āϟ āϏ্āĻĨাāĻĒāύাāϰ āĻŽāϧ্āϝেāĻ“ āϏāĻŦāϚেāϝ়ে āωāϚু āĻ›িāϞ। āĻĒিāϰাāĻŽিāĻĄেāϰ āύিāϰ্āĻŽাāύ āĻ•ৌāĻļāϞ āĻšিāϏেāĻŦে āĻāĻ•াāϧিāĻ• āĻŦৈāϜ্āĻžাāύিāĻ• āĻ“ āĻŦিāĻ•āϞ্āĻĒ āϤāϤ্āϤ্āĻŦ āĻĒ্āϰāϚāϞিāϤ āφāĻ›ে। āĻĒিāϰাāĻŽিāĻĄেāϰ āĻ“āϜāύ āφāύুāĻŽাāύিāĻ• ā§Ģ⧝ āϞāĻ•্āώ āϟāύ। āĻŦেāĻļীāϰāĻ­াāĻ— āĻŽাāύুāώেāϰ āĻŦিāĻļ্āĻŦাāϏ - āύীāϞ āύāĻĻেāϰ āωāϜাāύ āĻŦা āĻ­াāϟি āĻšāϤে āύৌāĻ•াāϝ় āĻ•āϰে ā§¨ā§Š āϞāĻ•্āώ āĻĒাāĻĨāϰ āĻŦāĻšāύ āĻ•āϰে āĻāύে āĻĒিāϰাāĻŽিāĻĄ āύিāϰ্āĻŽাāύ āĻ•āϰা āĻšāϝ়েāĻ›িāϞ। āϏāĻŽ্āϰাāϟেāϰ āĻ•āĻ•্āώেāϰ āĻāĻ•āϟি āĻŦ্āϞāĻ•েāϰ āĻ“āϜāύ āϧāϰা āĻšāϝ় āĻĒ্āϰাāϝ় ā§Žā§Ļ āϟāύ। āĻ•িāύ্āϤু āĻāϟা āĻāĻ•āϟা āĻŽিāϞিāĻ“āύ āĻĄāϞাāϰ āĻĒ্āϰāĻļ্āύ āϝে āĻ•িāĻ­াāĻŦে āĻāχ āĻĒাāĻĨāϰেāϰ āĻŦ্āϞāĻ•āĻ—ুāϞো āϏেāĻ–াāύে āĻ—āĻĄ়িāϝ়ে, āĻŦāĻšāύ āĻ•āϰে āĻŦা āωāĻ িāϝ়ে āϜাāϝ়āĻ—াāĻŽāϤ āϰাāĻ–া āĻšāϝ়েāĻ›ে। āĻāϟাāχ āĻāĻ•āĻŽাāϤ্āϰ āϏāĻŽ্āĻ­āĻŦ āĻŦ্āϝāĻ–্āϝা āϝে āĻļ্āϰāĻŽিāĻ•āϰা āĻāĻ•āϟি āĻĒāϰ্āĻŦāϤāĻ•ে āĻ•েāϟে āĻĒিāϰাāĻŽিāĻĄেāϰ āφāĻ•ৃāϤি āĻĻিāϝ়েāĻ›ে।


āĻĒ্āϰাāϚিāύ āĻĒৃāĻĨিāĻŦীāϰ āϏ্āĻĨāĻĒāϤিāϰা āφāϧুāύিāĻ• āύিāϰ্āĻŽাāύ āĻĒ্āϰāϝুāĻ•্āϤি āĻŦা āφāϧুāύিāĻ• āĻ•ৌāĻļāϞ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāϤে āĻĒাāϰেāύি। āφāϧুāύিāĻ• āĻĒ্āϰāϝুāĻ•্āϤিāϰ āϏāĻšāϝোāĻ—িāϤা āĻ›াāĻĄ়া, āĻāĻŽāύāĻ•ি āĻāĻ–āύāĻ“, āĻĒিāϰাāĻŽিāĻĄāύিāϰ্āĻŽাāύ āĻ…āϏāĻŽ্āĻ­āĻŦ। āĻ•েāω āĻāϟা āĻ•āϰāϤে āĻĒাāϰāĻŦেāύ āύা। āĻ•িāύ্āϤু āĻļুāϧুāĻŽাāϤ্āϰ āĻšাāϤুāĻĄ়ি, āĻ•াāϟাāϰ, āύীāϞ āύāĻĻেāϰ āĻĒাāύি āĻŦাāĻŦāĻšেāϰ āĻ•āϰে āĻļ্āϰāĻŽিāĻ•āϰা āĻĻীāϰ্āϘ āϏāĻŽāϝ়ে āϤা āύিāϰ্āĻŽাāύ āĻ•āϰāϤে āĻĒাāϰে। āĻāϟাāχ āĻŦাāϏ্āϤāĻŦ āĻŦ্āϝাāĻ–্āϝা āϝে āĻļ্āϰāĻŽিāĻ•āϰা āĻĒāϰ্āĻŦāϤāĻ•ে āĻ•েāϟে āĻĒিāϰাāĻŽিāĻĄেāϰ āφāĻ•ৃāϤি āĻĻিāϝ়েāĻ›ে। āĻŽূāϞāϤ āĻĒāϰ্āĻŦāϤāϟি āĻ›িāϞ āĻĒিāϰাāĻŽিāĻĄেāϰ āĻŦāϰ্āϤāĻŽাāύ āωāϚ্āϚāϤাāϰ āϤুāϞāύাāϝ় āĻ…āϧিāĻ•। āĻŦাāχāϰেāϰ āĻļেāĻĒāϟা āĻĻেāϝ়াāϰ āĻĒāϰ āϤাāϰা āϏুāĻĄ়āĻ™্āĻ—, āĻ•āĻ•্āώ, āĻĻāϰāϜা āχāϤ্āϝাāĻĻি āϤৈāϰি āĻ•āϰেāĻ›ে। āϤাāϰা āĻĒিāϰাāĻŽিāĻĄেāϰ āĻ­িāϤāϰে āĻ“ āĻŦাāχāϰে āϏ্āĻ•্āϰাāϚ āĻ•āϰে āĻĻেāϝ়াāϞāĻ•ে āĻāĻŽāύ āϰুāĻĒ āĻĻিāϝ়েāĻ›ে āϝেāύ āϤা āĻŦ্āϞāĻ• āĻŦাāĻŦāĻšেāϰ āĻ•āϰে āϤৈāϰি āĻāϰুāĻĒ āĻŽāύে āĻšāϝ়। āϝেāĻšেāϤু āϤা āĻŽāύুāώ্āϝ āύিāϰ্āĻŽিāϤ āχāϟ, āĻĢাāωāύ্āĻĄেāĻļāύ, āĻŦা āĻ…āύ্āϝ āĻ•োāύ āĻĒ্āϰāĻ•্āϰিāϝ়া āĻ…āύুāϏāϰāύ āĻ•āϰেāύি āϤাāχ āϤা āφāϜāĻ“ āĻ­ুāĻŽিāĻ•āĻŽ্āĻĒ, āĻāĻĄ়, āĻŦা āĻĒ্āϰাāĻ•ৃāϤিāĻ• āĻ…āύ্āϝ āĻ•োāύ āĻĻুāϰ্āϝোāĻ—েāϰ āĻŦিāϰুāĻĻ্āϧে āĻ…āĻ•্āώāϤ।āφāĻŽāϰা āϏāĻŦāϏāĻŽāϝ় āĻĢাāωāύ্āĻĄেāĻļāύ, āĻŦীāĻŽ, āĻĒিāϞাāϰ, āϏিāĻŽেāύ্āϟ, āĻ•ংāĻ•্āϰিāϟ āĻŽিāĻ•্āϏিং, āĻāϏāĻŦ āύিāϝ়ে āϚিāύ্āϤা āĻ•āϰি āĻ•িāύ্āϤু āĻĒ্āϰাāϚিāύ āϏ্āĻĨāĻĒāϤিāϰা āĻāϏāĻŦ āύিāϝ়ে āĻ­ীāϤ āĻ›িāϞেāύ āύা। āϝāĻĻি āĻĒিāϰাāĻŽিāĻĄ āĻĒাāĻĨāϰেāϰ āĻŦ্āϞāĻ• āĻĻিāϝ়ে āύিāϰ্āĻŽাāύ āĻ•āϰা āĻšāϤ āϤāĻŦে āϤা āĻāχ āĻ•āϝ়েāĻ• āĻšাāϜাāϰ āĻŦāĻ›āϰে āϧুāϞাāϝ় āĻĒāϰিāύāϤ āĻšāϤ। āĻ•েāω āĻ•ি āĻāĻ•āϟা āϤāϰāĻŦাāϰি āĻĻিāϝ়ে āĻĒāϰ্āĻŦāϤ āϧ্āĻŦংāϏ āĻ•āϰāϤে āĻĒাāϰে ? āĻ•োāύ āϝুāĻĻ্āϧāĻŦাāϜ āϤাāχ āĻĒিāϰাāĻŽিāĻĄ āϧ্āĻŦংāϏ āĻ•āϰāϤে āĻĒাāϰেāύি, āϝেāĻšেāϤু āϤা āĻŽূāϞāϤ āĻāĻ•āϟি āĻĒāϰ্āĻŦāϤ।


āφāĻŽāϰা āĻāĻ–āύ āϝেāĻ–াāύে āĻŦাāϏ āĻ•āϰি, āĻ—āϤ āϜুāύ ⧍ā§Ļ⧧⧍ āĻšāϤে āφāĻŽাāϰ āĻĒāϰিāĻŦাāϰ, āĻĒ্āϰāϤিāĻŦেāĻļিāĻĻেāϰ āϏাāĻĨে āύিāϝ়ে āĻāĻ•āϟি āφāĻĒাāϰ্āϟāĻŽেāύ্āϟ āĻ•āĻŽāĻĒ্āϞেāĻ•্āϏ āύিāϰ্āĻŽাāύেāϰ āϚিāύ্āϤা āĻ•āϰāĻ›ে।āϧাāϰাāĻŦাāĻšিāĻ• āĻŦৈāĻ āĻ•-āĻ“ āĻāϜāύ্āϝ āĻ…āύুāϏ্āĻ িāϤ āĻšāϝ়। āφāĻŽāϰা āĻĸাāĻ•া āĻļāĻšāϰেāϰ āĻŽাāύুāώāϰা āĻŽাāĻেāĻŽāϧ্āϝেāχ āĻ­ুāĻŽিāĻ•āĻŽ্āĻĒেāϰ āϏāĻŽ্āĻŽুāĻ–িāύ āĻšāϚ্āĻ›ি āϤাāχ āφāĻŽাāĻ•ে āύিāϰ্āĻŽাāύ āĻĒ্āϰāĻ•্āϰিāϝ়া āύিāϝ়ে āĻĒāĻĄ়āĻļুāύা āĻ•āϰāϤে āĻšāϞ।āφāĻ•āϏ্āĻŽিāĻ•āĻ­াāĻŦে āĻāχ āφāχāĻĄিāϝ়াāϟা āφāĻŦিāϏ্āĻ•াāϰ āĻ•āϰāϞাāĻŽ āϝে āϝāĻĻি āφāĻŽāϰা āĻāĻ•āϟি āĻĒāϰ্āĻŦāϤāĻ•ে āϝāĻĻি āφāĻĒাāϰ্āϟāĻŽেāύ্āϟ āĻ•āĻŽāĻĒ্āϞেāĻ•্āϏ -āĻ āĻĒāϰিāύāϤ āĻ•āϰি āϤāĻŦে āϤা āĻ­ুāĻŽিāĻ•āĻŽ্āĻĒ āĻĒ্āϰāϤিāϰোāϧāĻ• āĻšāĻŦে।āĻāĻ­াāĻŦেāχ āφāĻŽি āωāĻĒāϞāĻĻ্āϧি āĻ•āϰāϞাāĻŽ āĻĒ্āϰাāϚিāύ āϏ্āĻĨāĻĒāϤিāϰা āĻ•িāĻ­াāĻŦে āĻĒিāϰাāĻŽিāĻĄ āϤৈāϰি āĻ•āϰেāĻ›িāϞ।


āϧāύ্āϝāĻŦাāĻĻ,
āϤাāĻ“āĻšীāĻĻুāϰ āϰāĻšāĻŽাāύ āĻĄিāϝ়াāϰ