Last Journey
I am sitting inside the Duaripara cemetery. It's about three o'clock at night. There are two dead bodies in front of me. One is a Hindu dead body, the other is Muslim. I wish I could smoke in this extreme cold. As I am inside the graveyard, that’s why I am sitting quietly thinking that it should not be right.
(2)
Today can be called 'Hurly-burly Day'! Jaya's father died in the morning, Jaya lives on the road next to us. Jaya Chakraborty, her father Subir Chakraborty. Very friendly man. I had heard around 12 PM that Mitu's father should have to be taken to the hospital. Me with all my friends took him to the Heart Foundation. There was no outcome. He already had cancer. Mitu's father used to smoke two packs of cigarettes every day. I can't remember uncle's name. We all live in the vicinity, some in Rupnagar, some in Eastern Housing, some in Pallabi, some in Duaripara - but everyone is gathered today for this. As we all went to the same school while we were kid, living in the same area, we have been running around on the day of danger of two friends.
(3)
"Sajib, take the cigarette!" Ashiqul pulled the cigarette with two puffs and gave it towards me. Nah, there are no elders around, this chance can be taken. If something like this can decrease the terrible cold of the month of December! Faisal, Raju, Jony, Sumon, Sobuj, Anik, Ananta, Lawrence, Ashiqul are sitting nearby. Everyone is busy discussing politics without any concern about dead bodies. It doesn't seem by anyone's style of speaking that there's an issue of mourning here. Everyone is busy arguing about who will be the next Prime Minister between Hasina and Khaleda. Suddenly there was a sound of gunfire outside the walls. Sobuj and Lawrence bowed their heads. I assured, “The walls of this cemetery are about 6 feet high. No problem.”
(4)
A while ago, the procession of Chhatra League and Chhatra Dal came face to face outside, then the chase, counter-chase started. Immediately after that, two Army patrol vehicles appeared. They stopped several of us. It was not explainable to the Army captain at all that we were carrying dead bodies. I was not in the procession, because the first few of us went inside to see how far the tomb had been dug, so we did not get caught in the Army raid.
Then I looked out slightly over the wall of the cemetery. We have a friend from Duaripara, Tareq, he and his two younger brothers Rashed and Saikat got beaten by the Army. As much as he was saying, “Bro, I am a journalist, my name is Tareq bin Firoz. Look at my ID card.” He was being beaten more and more. While leaving Rupnagar with the dead bodies, I saw Sohail Bhai of Chhatra League and John Bhai of BNP. None of the leaders were there. Those who started the fight - they all disappeared immediately; but who were in the corpse procession, almost all of them were dragged into the car. Everyone, especially young people, was arrested. Several of the elders went behind the Army vehicle, to release them.
It did not occur in anyone’s brain to run away leaving two dead-bodies behind, or the Army could arrest after seeing two dead bodies. Mitu and Jaya both are staying at home, as it is said, visiting graveyards is forbidden for the girls.
(5)
Dead bodies remained on the road after the Army had taken everyone away. When I became sure there was no one; then all of us who were inside the graveyard, and the gravediggers went outside and brought the two dead bodies inside. Grave diggers went out to smoke. We have no news about the priest. The whole cemetery is empty, just us.
(6)
All of this happened half an hour ago. Now again the sudden sound of gunshot.
"How long are we going to sit here?" Lawrence asked. Jony assured, "Tomorrow is Election day! It's safe to be inside now. "
Tomorrow, December 29, 2008, the National Parliament election is going to be held. Actually not tomorrow. Voting will start from 8 am. There are only 5 hours left. The Caretaker Government has been in power for two consecutive years. They will leave office through the election tomorrow. Their interest for a fair election is noticeable.
Lawrence objected, “My house is at Goalchakkar. It's hard to go back so far.” Raju replied, "No one has anything to do over people's death, no one understood that two uncles would die on the same day.”
I looked around. Jaya's father has been kept inside the burning wood. A little far on, Mitu's father has been wrapped with a shroud and laid on the khatiya. There are only two cemeteries in Bangladesh where people of all faiths make their 'last journey', one of which is the Duaripara cemetery - where Hindus are cremated and Muslims - Christians are buried. The last rites of the Buddhists are also performed here. The second such place in Bangladesh is Kamalganj in Moulvibazar.
I looked at my friends again, as everyone is so pale. It is half past three in the morning. Everyone's mood is fading after hearing the gunshot. There is no guarantee of how long others will return after the Army interrogation. Suddenly an interesting idea flashed in my head. How is it, if the corpses are switched?
(7)
Even if someone shot entering into the graveyard, no one would be shocked like this. Everyone was shocked to hear my proposal. Then Sabuj suddenly laughed, then everyone started laughing one after one. There was laughter for a while.
Jony started talking first, "There's a chance that we'll get caught." Faisal became seriously annoyed after hearing Jony's comment, "It seemed to me that you would say yes if you didn't have a chance to get caught. Sajib has gone completely crazy.”
“But how do we do it? Won't everyone see?” Ashikul's question. Sumon replied, “Oh no! Everyone is very tired all day. They will be busy burying and cremating. There will be no time to see all this. ”
“We can stick dead-boy with a lot of shroud rope before. No one will be given a chance to see the dead body.” The idea of Sabuj is not bad. Jony added, "We will keep Uncle's dead body inside the wood for cremation. Just after their arrival, we rush to action! ”
Only Faisal looks like he is suddenly in a deep shit. He tried to prohibit all of us with a low voice, everyone stopped him with threats.
Raju said, "Everyone can see in the light." “We will impair the light after finishing the work.” Anik's immediate solution.
Faisal tried to say again, "It will be a sin!" Sumon replied, "When you were smoking sitting on the wall of the grave, wasn't it sin?" Raju added, “And this graveyard was built with this great purpose so that everyone would understand that after death everyone is the same dead; Everyone goes beyond suffering, sorrow, love.” He paused and said, “There are only two such cemeteries in Bangladesh. One in Mirpur, Dhaka, the other in Kamalganj, Moulvibazar. We are spearheading the whole project. ”
"But nothing like the corpse exchange has ever happened." Faisal replied. "So what?" There is always a thing called ‘first time’. And how do we know if someone else did? Maybe no one discussed it outside.” Lawrence's answer.
Ananta said, “In our Hindu religion, corpses are both cremated and buried. Although Chakraborty's body is cremated, the Mahabharat will not be impure even in burial.” This time Sabuj said to Faisal, “Look around. The corpses of many are just fenced by bamboo coating. Many are fitting tiles. The rich guys could not leave the rich mentality even after their death.”
“Those who are normally buried here, the administration buries someone else in that specific place after 10 years for the land crisis. The local government service charge is only two thousands. And if you want to buy the land permanently, you have to pay a separate price of one million. I saw one grave designed with marble stones. About more than three million have been spent there.” Ashikul said.
“Yes, that's it. After the death of a Muslim, one should wonder how to go to heaven escaping punishment. No, many keep the land ready for their own dead body before their death. They bequeath to decorate grave with tiles and marble stones for pomp. They die with the pride of money in my mind.” Jony added.
Lawrence was silent for so long, now he said, “There will be no problem in our Christianity either. Then let's start work without delay. ”
I haven't said a word in whole time. I just sparked the idea and waited to see what the public had to say!
(8)
It wasn't as easy as I thought it would be. Does a person gain weight when he or she dies? First we removed the wood and unloaded the body of Jaya’s father. Extremely heavy mango wood. Usually the rule is to burn the wood of sandalwood. Not everyone can afford it, so a dead body is burned with mango wood, a small piece of sandalwood wood is placed on top.
We first separated Mitu's father's body from the shroud cloth. We had to remember how the shroud and ribbon were tied. We grabbed Mitu's father, took him from the khatiya and laid him on the wood. Then we covered the body with wood. We also covered his face so that no one can see him.
Then the body of Jaya’s father was wrapped in the shroud. There were many ribbons, with which we wrapped the whole body well, including the side of the face, and placed it on the khatiya. At that time, Raju gave us an intelligent idea, “Many people may come and cry and may want to see the dead body, better we put it down in the grave. We keep the mat and bamboo ready.” Everyone agreed. The Raju boy is really smart, but he is slowly losing hair of his head - that’s the problem.
Sabuj, Ashiqul and Lawrence went down to the grave and laid the body perfectly. I looked at the clock and saw that it was about quarter to four. Everyone is sweating very much. Raju is very tall, he wrapped a handkerchief, opened the bulb, took it in his other hand and canker it with a light twist. Then he placed it again in the holder as before. The light is no longer working.
(9)
We were lucky that no one came during our operation. Then we took several walks in the dark. I smoked a few rounds of cigarettes. Suddenly at five o'clock there was the sound of two heavy vehicles slowing down, then everyone started rushing in. Everyone has returned from Mirpur Cantonment.
We asked everyone how they were doing. At once everyone started talking. What I understood was that they were kept in the Army camp, not in the Mirpur cantonment. Their office is now in the community center of the City Corporation in the civilian area. The one who took was a Captain, unable to catch the corpse issue in the dark of night. Later, a colonel came and immediately released them and ordered own men to drop everyone by the car. Everyone is very upset and tired. Almost everyone is back, but just Tarek and his two younger brothers. Probably the factor is, they're beaten so poorly.
I thought to myself, "This is an opportunity." Jony asked, "Then let's finish quickly?" Everyone answered in one sentence, "Yes, yes, let's start." Ananta asked where the priest was. Immediately the priest appeared. He has just arrived.
The priest became annoyed when he tried to turn on the light, "Brother, no one turns off the torch of the mobile phone. Light fused. I am reciting mantras. Where are his family members?”
What we feared did not happen. Five minutes after the cheetah was set on fire, someone from the crowd said, "Then let's all bury the body." We informed that we have everything ready to proceed. Khair uncle said, "You are doing very well, sons. You worked hard all day. We will not give you pain anymore. Let's start work.” Before he could finish speaking; Sumon, Sabuj, Anik quickly went down to the grave and started covering the dead body with bamboo and mats. I noticed Azad uncle in the dim darkness. He said, "Throw, everyone throw soil." Everyone sprinkled a handful of soil on Chakraborty's uncle's grave.
Someone from the crowd asked, "Where are the gravediggers?" Ashiqul replied, “They went home as you are late. But there is a spade. We are covering it with soil. ”
It took about twenty minutes to decorate the grave with soil. Then Azad's uncle said, "Come, everyone and recite Surah Fatiha once, and Surah Ikhlas three times." After all the Muslims finishing recitation the Surah, he started praying. I have never been to Duaripara cemetery before. I noticed in amazement that he was praying for everyone, not just for the one who died today. Even he prayed for the peace of the souls of Hindus, Buddhists, Christians who have been buried or cremated in this graveyard. He did not say ‘Muslim Community’ or anything like that for once. I heard in my own ears that he was pleading for 'all the people of the world' to live in peace. After hearing Faisal's lecture, there was a slight sense of guilt for switching dead bodies, but it is disappearing. I looked at Faisal, he was crying. A lot of people have tears in the eyes. More strange thing, I saw Ananta, Lawrence and other Hindus at the edge of the crowd who were present also raised their hands. I have never seen such a strange thing in my whole life. Something happened inside my head.
(10)
After a long prayer, we all made our way home. At that time two gravediggers appeared. They were criticised slightly. Mitu are total of three sisters. - Mitu, Nipa and Maliha. Since there is no brother, some of his relatives came to the graveyard. I saw a relative of Mitu, opened his wallet and paid them. He also gave tips after their demands for tips. At the last of everyone, we all were leaving. Near the gate, everyone agreed that no one will ever know today's incident. I remembered another friend Manik. He drinks a lot and also takes drugs. We survived that he left for Spain. If he were here, he would have leaked all the incidents later in a drunken state.
I approached the door and looked back. Muajjin is reciting Azan in the next mosque. A Cross was seen, there is a grave of a Christian. Tonight is a memorable night. After looking for a few seconds, I came out through the gate.

āĻāĻŽি āĻĻুā§াāϰীāĻĒাā§া āĻোāϰāϏ্āĻĨাāύেāϰ āĻিāϤāϰে āĻŦāϏা। āϰাāϤ āĻĒ্āϰাā§ āϤিāύāĻা āĻŦাāĻে। āĻāĻŽাāϰ āϏাāĻŽāύে āĻĻুāĻো āĻĄেāĻĄāĻŦāĻĄি। āĻāĻāĻāύেāϰāĻা āĻšিāύ্āĻĻুāϰ, āĻāϰেāĻāĻāύেāϰāĻা āĻŽুāϏāϞāĻŽাāύেāϰ। āĻĒ্āϰāĻāĻŖ্āĻĄ āĻ াāĻŖ্āĻĄাā§ āϏিāĻাāϰেāĻ āϧāϰাāϤে āĻāĻ্āĻা āĻāϰāĻে। āĻোāϰāϏ্āĻĨাāύেāϰ āĻিāϤāϰে āϏেāĻা āĻāĻিāϤ āĻšāĻŦে āύা āĻেāĻŦে āĻুāĻĒ āĻāϰে āĻŦāϏে āĻāĻি।
(⧍)
āĻāĻāĻেāϰ āĻĻিāύāĻাāĻে āĻŦāϞা āϝেāϤে āĻĒাāϰে ‘āĻšুāϞুāϏ্āĻĨুāϞ āĻĻিāĻŦāϏ’! āϏāĻাāϞে āĻā§াāϰ āĻāĻŦ্āĻŦা āĻŽাāϰা āĻেāϞো, āĻā§া āĻāĻŽাāĻĻেāϰ āĻĒাāĻļেāϰ āϰোāĻĄে āĻĨাāĻে। āĻā§া āĻāĻ্āϰāĻŦāϰ্āϤী, āϤাāϰ āĻŦাāĻŦা āϏুāĻŦীāϰ āĻāĻ্āϰāĻŦāϰ্āϤী। āĻুāĻŦ āĻ
āĻŽাā§িāĻ āĻŽাāύুāώ। āĻĻুāĻĒুāϰ āĻŦাāϰোāĻাāϰ āĻĻিāĻে āĻļুāύāϞাāĻŽ, āĻŽিāϤুāϰ āĻāĻŦ্āĻŦাāĻে āĻšাāϏāĻĒাāϤাāϞে āύিāϤে āĻšāĻŦে। āϏāĻŦ āĻŦāύ্āϧু āĻŦাāύ্āϧāĻŦ āĻŽিāϞে āĻšাāϰ্āĻ āĻĢাāĻāύ্āĻĄেāĻļāύে āύিā§ে āĻেāϞাāĻŽ। āĻোāύ āϞাāĻ āĻšāϞ āύা। āĻāĻে āĻĨেāĻেāĻ āĻ্āϝাāύ্āϏাāϰ āĻিāϞ। āϤাāϰ āĻŽāϧ্āϝেāĻ āĻĻিāύে āĻĻুāĻ āĻĒ্āϝাāĻেāĻ āϏিāĻাāϰেāĻ āĻেāϤেāύ āĻŽিāϤুāϰ āĻāĻŦ্āĻŦা। āĻāĻ্āĻেāϞেāϰ āύাāĻŽ āϤো āĻŽāύে āĻāϰāϤে āĻĒাāϰāĻি āύা। āĻāĻŽাāĻĻেāϰ āϏāĻŦাāϰ āĻŦাāϏা āĻāĻļেāĻĒাāĻļেāϰ āĻāϞাāĻাā§, āĻেāĻ āϰূāĻĒāύāĻāϰ, āĻেāĻ āĻāϏ্āĻাāϰ্āύ āĻšাāĻāĻিং, āĻেāĻ āĻĒāϞ্āϞāĻŦী, āĻেāĻ āĻĻুā§াāϰিāĻĒাā§া - āĻিāύ্āϤু āϏāĻŦাāĻ āĻāĻāĻে āĻāĻ āĻāĻĒāϞāĻ্āώে āĻāĻāϤ্āϰিāϤ। āϝেāĻšেāϤু āϏāĻŦাāĻ āĻোāĻāĻŦেāϞাā§ āĻāĻāĻ āϏ্āĻুāϞে āĻĒā§েāĻি, āĻāĻāĻ āĻāϞাāĻাā§ āĻĨাāĻি, āϤাāĻ āĻĻুāĻ āĻŦāύ্āϧুāϰ āĻŦিāĻĒāĻĻেāϰ āĻĻিāύে āĻāĻŽাāĻĻেāϰāĻেāĻ āĻĻৌā§াāĻĻৌā§ি āĻāϰāϤে āĻšāĻ্āĻে।
(ā§Š)
“āϏāĻীāĻŦ, āϏিāĻাāϰেāĻ āύে!” āĻāĻļিāĻুāϞ āϏিāĻাāϰেāĻে āĻĻুāĻ āĻাāύ āĻĻিā§ে āĻāĻŽাāϰ āĻĻিāĻে āϏিāĻাāϰেāĻ āĻŦাā§িā§ে āĻĻিāϞ। āύাāĻš, āĻāĻļেāĻĒাāĻļে āĻŽুāϰুāĻŦ্āĻŦীāϰা āύাāĻ, āĻāĻ āĻাāύ্āϏে āĻাāĻā§া āϝেāϤে āĻĒাāϰে। āĻĒৌāώ āĻŽাāϏেāϰ āĻā§াāĻŦāĻš āĻ াāĻŖ্āĻĄা āϝāĻĻি āĻিāĻু āĻāĻŽে! āĻāĻļেāĻĒাāĻļে āĻĢā§āϏাāϞ, āϰাāĻু, āĻāύি, āϏুāĻŽāύ, āϏāĻŦুāĻ, āĻ
āύিāĻ, āĻ
āύāύ্āϤ, āϞāϰেāύ্āϏ, āĻāĻļিāĻুāϞ āĻŦāϏা। āϏāĻŦাāĻ āĻĄেāĻĄāĻŦāĻĄি āĻŦাāĻĻ āĻĻিā§ে āϰাāĻāύীāϤি āύিā§ে āĻāϞোāĻāύাā§ āĻŦ্āϝāϏ্āϤ। āĻাāϰো āĻāĻĨা āĻŦāϞাāϰ āϏ্āĻাāĻāϞে āĻŽāύে āĻšāĻ্āĻে āύা, āĻāĻাāύে āĻļোāĻ āĻĒাāϞāύেāϰ āĻŽāϤ āĻিāĻু āĻšā§েāĻে। āϏāĻŦাāĻ āĻšাāϏিāύা āĻāϰ āĻাāϞেāĻĻাāϰ āĻŽāϧ্āϝ āĻে āĻĒ্āϰāϧাāύāĻŽāύ্āϤ্āϰী āĻšāĻŦে āϏেāĻা āύিā§ে āϤুāĻŽুāϞ āϤāϰ্āĻে āĻŦ্āϝāϏ্āϤ। āĻāĻāĻŽāĻা āĻĻেā§াāϞেāϰ āĻŦাāĻāϰে āĻুāϞিāϰ āĻāĻā§াāĻ āĻšāϞ। āĻĒāϰ āĻĒāϰ āĻĻুāĻা। āϏāĻŦুāĻ āĻāϰ āϞāϰেāύ্āϏ āĻŽাāĻĨা āύিāĻু āĻāϰāϞ। āĻāĻŽি āĻāĻļ্āĻŦāϏ্āϤ āĻāϰāϞাāĻŽ, “āĻāĻ āĻোāϰāϏ্āĻĨাāύেāϰ āĻĻেā§াāϞ āĻĒ্āϰাā§ ā§Ŧ āĻĢুāĻ āĻঁāĻু। āϏāĻŽāϏ্āϝা āύাāĻ।”
(ā§Ē)
āĻŦাāĻāϰে āĻিāĻুāĻ্āώāĻŖ āĻāĻে āĻাāϤ্āϰāϞীāĻ āĻāϰ āĻাāϤ্āϰāĻĻāϞেāϰ āĻŽিāĻিāϞ āϏাāĻŽāύাāϏাāĻŽāύি āĻšā§ে āĻিā§েāĻিāϞ, āĻāϰāĻĒāϰ āϧাāĻā§া āĻĒাāϞ্āĻা āϧাāĻā§া āĻļুāϰু āĻšā§। āϤাāϰāĻĒāϰāĻ āϏেāύাāĻŦাāĻšিāύীāϰ āĻāĻšāϞ āĻĻāϞেāϰ āĻĻুāĻো āĻাā§ি āĻšাāĻিāϰ। āĻāĻŽাāĻĻেāϰ āĻŽāϧ্āϝে āĻŦেāĻļ āĻā§েāĻāĻāύāĻে āϧāϰে āĻĨাāĻŽাāϞ। āĻāĻŽāϰা āϝে āϞাāĻļ āύিā§ে āĻāϏāĻি āϏেāĻা āĻāϰ্āĻŽি āĻ্āϝাāĻĒ্āĻেāύāĻে āĻŦুāĻাāύ āϝাāĻ্āĻে āύা। āĻāĻŽি āĻļāĻŦ āĻŽিāĻিāϞে āĻিāϞাāĻŽ āύা, āĻাāϰāύ āĻāĻŽāϰা āĻā§েāĻāĻāύ āĻĒ্āϰāĻĨāĻŽেāĻ āĻিāϤāϰে āĻĸুāĻে āĻāĻŦāϰেāϰ āĻŽাāĻি āĻāϤāĻĻূāϰ āĻোঁā§া āĻšā§েāĻে āϏেāĻা āĻĻেāĻāϤে āĻāϏাā§ āĻāϰ্āĻŽি āϰেāĻāĻĄেāϰ āĻŽāϧ্āϝে āĻĒāϰি āύি।
āϤাāϰāĻĒāϰ āĻোāϰāϏ্āĻĨাāύেāϰ āĻĻেā§াāϞেāϰ āĻāĻĒāϰ āĻĻিā§ে āĻšাāϞ্āĻা āĻŽাāĻĨা āĻঁāĻু āĻāϰে āĻŦাāĻāϰে āĻĻেāĻāĻি। āĻāĻŽাāĻĻেāϰ āĻĻুā§াāϰীāĻĒাā§াāϰ āĻāĻ āĻŦāύ্āϧু āĻāĻে, āϤাāϰেāĻ, āϏে āĻāϰ āϤাāϰ āĻĻুāĻ āĻোāĻāĻাāĻ āϰাāĻļেāĻĻ āĻāϰ āϏৈāĻāϤ āĻāϰ্āĻŽিāϰ āĻšাāϤে āĻŦেāĻĻāĻŽ āϧোāϞাāĻ āĻেāϞ। āϏে āϝāϤāĻ āĻŦāϞে, “āĻাāĻ, āĻāĻŽি āϏাংāĻŦাāĻĻিāĻ, āĻāĻŽাāϰ āύাāĻŽ āϤাāϰেāĻ āĻŦিāύ āĻĢিāϰোāĻ। āĻāĻŽাāϰ āĻāĻ.āĻĄি āĻাāϰ্āĻĄ āĻĻেāĻেāύ।” āϤāϤāĻ āϞাāĻ িāϰ āĻāϰো āĻŦেāĻļি āĻāϰে āĻĒāϰāϤেāĻে। āϰূāĻĒāύāĻāϰ āĻĨেāĻে āϞাāĻļ āύিā§ে āϰāĻā§াāύা āĻĻেāĻŦাāϰ āϏāĻŽā§ āĻাāϤ্āϰāϞীāĻেāϰ āϏোāĻšেāϞ āĻাāĻ, āĻāϰ āĻŦি.āĻāύ.āĻĒি.āϰ āĻāύ āĻাāĻāĻে āĻĻেāĻেāĻিāϞাāĻŽ। āĻāĻাāύে āϞিāĻĄাāϰāĻĻেāϰ āĻাāĻāĻেāĻ āĻĻেāĻা āϝাāĻ্āĻে āύা। āϝাāϰা āĻŽাāϰāĻĒিāĻ āĻļুāϰু āĻāϰেāĻিāϞ - āϤাāϰা āϏāĻŦ āϏাāĻĨে āϏাāĻĨেāĻ āĻāϧাāĻ, āĻŽাāĻāĻাāύ āĻĨেāĻে āĻļāĻŦ āĻŽিāĻিāϞে āϝাāϰা āĻিāϞ, āϤাāĻĻেāϰ āĻĒ্āϰাā§ āϏāĻŦাāĻāĻেāĻ āĻাā§িāϤে āĻেāύে āϤুāϞা āĻšā§। āĻŦিāĻļেāώ āĻāϰে āϤāϰুāĻŖ āĻŦā§āϏী āϏāĻŦাāĻ āĻ্āϰেāĻĢāϤাāϰ āĻšāϞ। āϏেāύাāĻŦাāĻšিāύীāϰ āĻাā§িāϰ āĻĒিāĻে āĻĒিāĻে āĻŽুāϰুāĻŦ্āĻŦীāĻĻেāϰ āĻŦেāĻļ āĻā§েāĻāĻāύ āĻেāĻে, āϤাāĻĻেāϰ āϰিāϞিāĻ āĻāϰāϤে।
āϞাāĻļ āĻĢেāϞে āĻĻৌā§ āĻĻিāĻŦে, āĻŦা āĻĻুāĻ āĻĻুāĻāĻা āϞাāĻļ āĻĻেāĻাāϰ āĻĒāϰেāĻ āϏেāύাāĻŦাāĻšিāύী āĻ্āϰেāĻĢāϤাāϰ āĻāϰāĻŦে - āĻāĻা āĻাāϰো āĻŽাāĻĨাā§ āĻāϏেāύি। āĻŽিāϤু āĻāϰ āĻā§া āĻĻুāĻāύেāĻ āĻŦাāϏাā§, āĻোāϰāϏ্āĻĨাāύে āύাāĻি āĻŽেā§েāĻĻেāϰ āĻāϏা āύিāώেāϧ।
(ā§Ģ)
āĻāϰ্āĻŽি āϏāĻŦাāĻāĻে āύিāϝ়ে āĻāϞে āϝাāĻŦাāϰ āĻĒāϰ āĻĄেāĻĄāĻŦāĻĄি āϰাāϏ্āϤাāϝ় āϏেāĻাāĻŦেāĻ āĻĒāϰে āϰāĻāϞ। āϝāĻāύ āύিāĻļ্āĻিāϤ āĻšāϞাāĻŽ āĻেāĻ āύাāĻ, āϤāĻāύ āĻোāϰāϏ্āĻĨাāύেāϰ āĻিāϤāϰে āĻāĻŽāϰা āϝাāϰা āĻিāϞাāĻŽ, āĻāϰ āĻোāϰāĻোāĻĻāĻāϰা āĻŦাāĻāϰে āϝেāϝ়ে āĻĄেāĻĄāĻŦāĻĄি āĻĻুāĻো āĻিāϤāϰে āύিāϝ়ে āĻāϏāϞাāĻŽ। āĻোāϰāĻোāĻĻāĻ āĻŦিāĻĄ়ি āĻাāĻŦাāϰ āĻāĻĨা āĻŦāϞে āĻŦাāĻāϰে āĻেāϞো। āĻĒুāϰোāĻšিāϤেāϰ āĻোāύ āĻāĻŦāϰ āύাāĻ। āĻĒুāϰো āĻোāϰāϏ্āĻĨাāύ āĻĢাঁāĻা, āĻļুāϧু āĻāĻŽāϰাāĻ।
(ā§Ŧ)
āĻāϏāĻŦāĻ āĻāϧা āĻāĻŖ্āĻা āĻāĻেāϰ āĻāĻŦāϰ। āĻāĻāύ āĻāĻŦাāϰ āĻāĻāĻŽāĻা āĻুāϞিāϰ āĻāĻā§াāĻ।
“āĻāĻŽāϰা āĻāϤāĻ্āώāĻŖ āĻāĻাāύে āĻŦāϏে āĻĨাāĻāĻŦ?” āϞāϰেāύ্āϏেāϰ āĻĒ্āϰāĻļ্āύ। āĻāύি āĻāĻļ্āĻŦāϏ্āϤ āĻāϰāϞ, “āĻাāϞāĻে āύিāϰ্āĻŦাāĻāύ! āĻāĻĒাāϤāϤ āĻিāϤāϰে āĻĨাāĻাāĻ āύিāϰাāĻĒāĻĻ।”
āĻāĻাāĻŽীāĻাāϞ ⧍⧝ āĻĄিāϏেāĻŽ্āĻŦāϰ ⧍ā§Ļā§Ļā§Ž, āĻাāϤীā§ āϏংāϏāĻĻ āύিāϰ্āĻŦাāĻāύ। āĻāĻাāĻŽীāĻাāϞ āĻ িāĻ āύা। āϏāĻাāϞ ā§Ž āĻা āĻĨেāĻে āĻোāĻ āĻ্āϰāĻšāĻŖ āĻļুāϰু āĻšāĻŦে। āĻāϰ ā§Ģ āĻāĻŖ্āĻা āĻŦাāĻি। āϤāϤ্āϤ্āĻŦাāĻŦāϧাā§āĻ āϏāϰāĻাāϰ āĻāĻāĻাāύা āĻĻুāĻ āĻŦāĻāϰ āĻ্āώāĻŽāϤাā§ āĻāĻে। āĻাāϞāĻে āύিāϰ্āĻŦাāĻāύেāϰ āĻŽাāϧ্āϝāĻŽে āĻŦিāĻĻাā§ āύিāĻŦে। āύিāϰ্āĻŦাāĻāύ āϝেāύ āϏুāώ্āĻ ু āĻšā§, āϤাāϰ āĻāύ্āϝ āϤাāĻĻেāϰ āĻāĻ্āϰāĻš āϞāĻ্āώ্āϝ āĻāϰাāϰ āĻŽāϤ।
āϞāϰেāύ্āϏ āĻāĻĒāϤ্āϤি āĻাāύাāϞ, “āĻāĻŽাāϰ āĻŦাāϏা āϤো āĻোāϞāĻāĻ্āĻāϰ। āĻāϤāĻĻূāϰে āĻĢেāϰāϤ āϝাāĻā§া āĻāĻ িāύ” āϰাāĻু āĻāϤ্āϤāϰ āĻĻিāϞ, “āĻŽাāύুāώেāϰ āĻŽৃāϤ্āϝুāϰ āĻāĻĒāϰ āϤো āĻাāϰো āĻšাāϤ āύাāĻ, āĻĻুāĻ āĻāĻ্āĻেāϞ āϝে āĻāĻāĻেāĻ āĻŽাāϰা āϝাāĻŦে, āĻāĻা āĻেāĻ āĻŦুāĻāϤে āĻĒাāϰে āύাāĻ।”
āĻāĻŽি āĻাāϰāĻĒাāĻļে āϤাāĻাāϞাāĻŽ। āĻĻাāĻš āĻāϰাāϰ āĻাāĻ েāϰ āĻিāϤāϰে āĻā§াāϰ āĻāĻŦ্āĻŦাāĻে āϰাāĻা āĻšā§েāĻে। āĻāĻāĻু āĻĻূāϰে āĻŽিāϤুāϰ āĻāĻŦ্āĻŦাāĻে āĻাāĻĢāύে āĻŽোā§াāύ āĻ
āĻŦāϏ্āĻĨাā§ āĻাāĻিā§াāϰ āĻāĻĒāϰ āϰাāĻা। āĻŦাংāϞাāĻĻেāĻļে āĻŽাāϤ্āϰ āĻĻুāĻো āĻāĻŦāϰāϏ্āĻĨাāύে āϏāĻŦ āϧāϰ্āĻŽেāϰ āĻŽাāύুāώেāϰ ‘āĻļেāώ āϝাāϤ্āϰা’āϰ āĻā§োāĻāύ āĻāϰা āĻšā§, āϤাāϰ āĻŽāϧ্āϝে āĻĻুā§াāϰীāĻĒাā§া āĻāĻŦāϰāϏ্āĻĨাāύ āĻāĻāĻি - āϝেāĻাāύে āĻšিāύ্āĻĻুāĻĻেāϰ āĻĻাāĻš āĻāϰ āĻŽুāϏāϞāĻŽাāύ - āĻ্āϰিāϏ্āĻাāύāĻĻেāϰ āĻĻাāĻĢāύ āĻāϰা āĻšā§। āĻŦৌāĻĻ্āϧāĻĻেāϰ āĻļেāώāĻৃāϤ্āϝāĻ āĻāĻাāύেāĻ āĻšā§। āĻŦাংāϞাāĻĻেāĻļে āĻāϰāĻāĻŽ āĻĻ্āĻŦিāϤীā§ āĻাā§āĻাāĻা āĻšāĻ্āĻে āĻŽৌāϞāĻীāĻŦাāĻাāϰেāϰ āĻāĻŽāϞāĻāĻ্āĻে।
āĻāĻŽি āĻāĻŦাāϰ āĻŦāύ্āϧুāĻĻেāϰ āĻĻিāĻে āϤাāĻাāϞাāĻŽ, āϏāĻŦাāĻ āĻেāĻŽāύ āϝেāύ āĻŽāύāĻŽāϰা। āϰাāϤ āĻĒ্āϰাā§ āϏাā§ে āϤিāύāĻা āĻŦেāĻে āĻেāĻে। āĻুāϞিāϰ āĻāĻā§াāĻ āĻļোāύাāϰ āĻĒāϰ āϏāĻŦাāϰ āĻāϞ্āĻĒেāϰ āĻŽুāĻĄ āĻāĻŽে āĻāϏāϤেāĻে। āĻāϰ্āĻŽিāϰ āĻেāϰা āĻļেāώে āĻ
āύ্āϝāϰা āĻāϤāĻ্āώāĻŖে āĻĢিāϰāĻŦে āϤাāϰ āĻোāύ āĻ্āϝাāϰাāύ্āĻি āύাāĻ। āĻāĻŽাāϰ āĻŽাāĻĨাā§ āĻāĻāĻŽāĻা āĻĻুāϰ্āĻĻাāύ্āϤ āĻāĻāĻা āĻāĻāĻĄিā§া āϰীāϤিāĻŽāϤ āĻিāϞিāĻ āĻŽেāϰে āĻāĻ āϞ। āϞাāĻļ āĻĒাāϞ্āĻাāĻĒাāϞ্āĻি āĻāϰāϞে āĻেāĻŽāύ āĻšā§?
(ā§)
āĻোāϰāϏ্āĻĨাāύেāϰ āĻিāϤāϰে āĻĸুāĻে āĻেāĻ āĻুāϞি āĻāϰāϞেāĻ āĻŽāύে āĻšā§ āĻāĻাāĻŦে āĻেāĻ āĻāĻŽāĻাāϤ āύা। āϏāĻŦাāĻ āĻāĻŽাāϰ āĻĒ্āϰāϏ্āϤাāĻŦ āĻļুāύে āĻĒুāϰোāĻĒুāϰি āĻŦāĻ্āϰাāĻšāϤ। āϤাāϰāĻĒāϰ āϏāĻŦুāĻ āĻāĻāĻŽāĻা āĻšেāϏে āĻĢেāϞāϞ, āϤাāϰāĻĒāϰ āϏāĻŦাāϰ āϏিāϰিā§াāϞ āϧāϰে āĻšাāϏি āĻļুāϰু āĻšāϞ। āĻিāĻুāĻ্āώāĻŖ āĻ
āĻ্āĻāĻšাāϏি āĻāϞāϞ।
āĻāύি āϏāĻŦাāϰ āĻāĻে āĻŽুāĻ āĻুāϞāϞ, “āϧāϰা āĻাāĻā§াāϰ āĻাāύ্āϏ āĻāĻে।” āĻāύিāϰ āĻāĻĨা āĻļুāύে āĻĢā§āϏাāϞ āϏিāϰিā§াāϏ āĻŦিāϰāĻ্āϤ āĻšāϞ, “āϤোāϰ āĻāĻĨা āĻļুāύে āĻŽāύে āĻšāĻāϞ, āϧāϰা āĻাāĻā§াāϰ āĻাāύ্āϏ āύা āĻĨাāĻāϞে āϤুāĻ āĻš্āϝাঁ āĻŦāϞāϤি। āϏāĻীāĻŦ āĻĒুāϰা āĻĒাāĻāϞ āĻšā§া āĻেāĻে।”
“āĻিāύ্āϤু āĻাāĻāĻা āĻāϰāĻŦ āĻিāĻাāĻŦে? āϏāĻŦাāĻ āĻĻেāĻāĻŦে āύা?” āĻāĻļিāĻুāϞেāϰ āĻĒ্āϰāĻļ্āύ। āϏুāĻŽāύ āĻāϤ্āϤāϰ āĻĻিāϞ, “ āĻāϰে āύাāĻš! āϏāĻŦাāĻ āϏাāϰাāĻĻিāύেāϰ āĻĒāϰিāĻļ্āϰāĻŽে āĻĒ্āϰāĻāĻŖ্āĻĄ āĻাā§াāϰ্āĻĄ। āĻāϏেāĻ āĻĻাāĻĢāύে āĻāϰ āĻĻাāĻš āĻāϰāϤে āĻŦ্āϝāϏ্āϤ āĻšā§ে āϝাāĻŦে। āĻāϏāĻŦ āĻĻেāĻাāϰ āϏāĻŽā§ āĻšāĻŦে āύা।”
“āĻāĻŽāϰা āĻাāĻĢāύেāϰ āϰāĻļি āĻ
āύেāĻāĻুāϞি āĻĻিā§ে āĻāĻে āĻাāϞ āĻŽāϤ āĻāĻāĻে āĻĻেāĻ। āϞাāĻļ āĻĻেāĻাāϰ āĻাāύ্āϏ-āĻ āĻĻিāĻŦ āύা।” āϏāĻŦুāĻেāϰ āĻāĻāĻĄিā§া āĻাāϰাāĻĒ āύা। āϏাāĻĨে āĻāύি āĻŦুāĻĻ্āϧি āĻĻিāϞ, “āĻĻাāĻš āĻāϰাāϰ āĻāύ্āϝ āĻāĻŽāϰা āĻāĻেāĻ āĻাāĻ েāϰ āĻিāϤāϰ āĻāĻ্āĻেāϞেāϰ āĻĄেāĻĄāĻŦāĻĄি āϰেāĻে āĻĻেāĻ। āĻāϏāϞেāĻ āĻāĻāĻļāύে āύেāĻŽে āĻেāϞাāĻŽ!”
āĻāĻāĻŽাāϤ্āϰ āĻĢā§āϏাāϞেāϰ āĻেāĻšাāϰা āĻĻেāĻে āĻŽāύে āĻšāĻ্āĻে āϏে āĻāĻāĻŽāĻা āĻŦā§ āϧāϰāύেāϰ āĻাāĻĄ্āĻĄাā§ āĻĒāϰেāĻে। āϏে āĻŽিāύ āĻŽিāύ āĻāϰে āĻĨাāĻŽাāύāϰ āĻেāώ্āĻা āĻāϰāϞে āϏāĻŦাāĻ āϧāĻŽāĻ āĻĻিā§ে āĻĨাāĻŽিā§ে āĻĻিāϞ।
āϰাāĻু āĻŦāϞāϞ,”āϞাāĻāĻে āĻĻেāĻে āĻĢেāϞāϤে āĻĒাāϰে।”
“āĻāĻŽāϰা āĻাāĻ āĻļেāώ āĻāϰেāĻ āϞাāĻāĻ āĻĢিāĻāĻ āĻāϰে āĻĻিāĻŦ।” āĻ
āύিāĻেāϰ āϤাā§āĻ্āώāύিāĻ āϏāĻŽাāϧাāύ।
āĻĢā§āϏাāϞ āĻāĻŦাāϰ āĻŦāϞাāϰ āĻেāώ্āĻা āĻāϰāϞ,”āĻুāύাāĻš āĻšāĻŦে!” āϏুāĻŽāύ āĻāϤ্āϤāϰ āĻĻিāϞ, “āĻāĻ āϝেāĻ āϤুāĻ āĻāĻŦāϰেāϰ āĻĻেā§াāϞেāϰ āĻāĻĒāϰ āĻŦāĻāϏা āĻŦিā§ি āĻাāύāϞি, āϤোāϰ āĻুāύাāĻš āĻšā§ āύাāĻ?” āϏাāĻĨে āϰাāĻু āϝোāĻ āĻāϰāϞ, “āĻāϰ āĻāĻ āĻোāϰāϏ্āĻĨাāύ āĻāϰাāĻ āĻšā§েāĻিāϞ āĻāĻ āĻŽāĻšাāύ āĻāĻĻ্āĻĻেāĻļ্āϝ āϝে āϏāĻŦাāĻ āϝেāύ āĻāĻা āĻŦুāĻāϤে āĻĒাāϰে āĻŽāϰাāϰ āĻĒāϰ āϏāĻŦাāĻ āĻāĻāĻ āϰāĻāĻŽ āĻĄেāĻĄ; āϏāĻŦ āĻāώ্āĻ, āĻĻুঃāĻ, āĻাāϞāĻŦাāϏাāϰ āĻāϰ্āϧে āĻāϞে āϝাā§।” āĻāĻāĻু āĻĨেāĻŽে āĻāĻŦাāϰ āĻŦāϞāϞ, “āϏাāϰা āĻŦাংāϞাāĻĻেāĻļে āĻāĻ āϧāϰāύেāϰ āĻোāϰāϏ্āĻĨাāύ āĻāĻেāĻ āĻŽাāϤ্āϰ āĻĻুāĻāĻা। āĻāĻāĻা āĻĸাāĻাāϰ āĻŽিāϰāĻĒুāϰে, āĻāϰেāĻāĻা āĻŽৌāϞāĻীāĻŦাāĻাāϰেāϰ āĻāĻŽāϞāĻāĻ্āĻে। āĻāĻŽāϰা āĻĒুāϰা āĻĒ্āϰāĻেāĻ্āĻ āĻāϰেāĻāĻু āĻāĻাā§া āĻĻিāϞাāĻŽ।”
“āĻিāύ্āϤু āϞাāĻļ āĻĒাāϞ্āĻা āĻĒাāϞ্āĻিāϰ āĻŽāϤ āĻিāĻু āϤো āĻāĻে āύাāĻ āĻāĻāύো।” āĻĢā§āϏাāϞ āĻāϤ্āϤāϰ āĻĻিāϞ। “āϤাāϤে āĻি? āϏāĻŦ āĻিāĻুāϤে āĻĢাāϰ্āϏ্āĻ āĻাāĻāĻŽ āĻŦāϞে āĻāĻāĻা āĻŦিāώ⧠āĻāĻে। āĻāϰ āĻ
āύ্āϝ āĻেāĻ āĻāϰāϞেāĻ āĻāĻŽāϰা āĻাāύāĻŦ āĻিāĻাāĻŦে? āĻšā§āϤ āĻŦাāĻāϰে āĻেāĻ āĻāϞোāĻāύা āĻāϰে āύাāĻ।” āϞāϰেāύ্āϏেāϰ āĻāϤ্āϤāϰ।
āĻ
āύāύ্āϤ āĻŦāϞāϞ, “āĻāĻŽাāĻĻেāϰ āĻšিāύ্āĻĻু āϧāϰ্āĻŽে āϞাāĻļ āĻĻাāĻš āĻāϰ āĻĻাāĻĢāύ āĻĻুāĻোāĻ āĻāϰে। āĻāĻ্āϰāĻŦāϰ্āϤীāϰ āϞাāĻļ āϝāĻĻিāĻ āĻĻাāĻš āĻāϰে, āĻিāύ্āϤু āĻĻাāĻĢāύেāĻ āĻŽāĻšাāĻাāϰāϤ āĻ
āĻļুāĻĻ্āϧ āĻšāĻŦে āύা।” āĻāĻŦাāϰ āϏāĻŦুāĻ āĻĢā§āϏাāϞāĻে āĻŦāϞāϞ, “āĻাāϰāĻĒাāĻļে āϤাāĻাā§া āĻĻেāĻ। āĻ
āύেāĻেāϰ āϞাāĻļ āĻļুāϧু āĻŽুāϞি āĻŦেā§া āĻĻিā§ে āĻāĻāĻাāύ। āĻ
āύেāĻেāϰāĻা āĻাāĻāϞāϏ āĻĢিāĻিং āĻāϰা। āĻŽাāύুāώ āĻŽāϰাāϰ āĻĒāϰেāĻ āĻŦā§āϞোāĻি āĻাā§āϤে āĻĒাāϰে āύাāĻ।”
“āĻāĻাāύে āϝাāϰা āύāϰ্āĻŽাāϞি āĻāĻŦāϰ āĻĻেā§, āĻাā§āĻাāϰ āϏāĻ্āĻāĻে ā§§ā§Ļ āĻŦāĻāϰ āĻĒāϰ āĻĒāϰ āϏেāĻ āĻাā§āĻাā§ āĻ
āύ্āϝ āĻাāĻāĻে āĻāĻŦāϰ āĻĻেā§। āϏ্āĻĨাāύীā§ āϏāϰāĻাāϰ āϏাāϰ্āĻিāϏ āĻাāϰ্āĻ āύেā§ āĻŽাāϤ্āϰ āĻĻুāĻ āĻšাāĻাāϰ āĻাāĻা। āĻāϰ āĻাā§āĻা āĻĒাāϰ্āĻŽাāύেāύ্āĻāĻাāĻŦে āĻিāύে āĻĻিāϤে āĻেāϞে āĻāĻŽিāϰ āĻĻাāĻŽ āĻāϞাāĻĻা āĻĻিāϤে āĻšā§ āĻĻāĻļ āϞাāĻ āĻাāĻা। āĻāĻāĻāύāĻে āĻĻেāĻāϞাāĻŽ āĻŽাāϰ্āĻŦেāϞ āĻĒাāĻĨāϰ āĻĻিā§ে āĻŦাāϧাāĻ āĻāϰেāĻে। āϏেāĻাāύে āĻĒ্āϰাā§ āĻāϰো āϤিāϰিāĻļ āϞাāĻ āĻāϰāĻ āĻšā§েāĻে।” āĻāĻļিāĻুāϞ āĻŦāϞāϞ।
“āĻš্āϝাঁ, āϏেāĻাāĻ। āĻŽুāϏāϞāĻŽাāύ āĻŽাāϰা āϝাāĻŦাāϰ āĻĒāϰ āĻāĻ āĻļাāϏ্āϤি āĻā§াā§া āĻŦেāĻšেāĻļāϤে āϝাāĻā§া āϝাā§ āĻিāύা, āĻāĻ āĻিāύ্āϤা āĻāϰāĻŦে। āϤা āύা, āĻ
āύেāĻেāĻ āĻŽৃāϤ্āϝুāϰ āĻāĻেāĻ āϞাāĻļেāϰ āĻāύ্āϝ āĻāĻŽি āϰেāĻĄি āϰাāĻে। āĻāϤ āĻাঁāĻāĻāĻŽāĻেāϰ āϏাāĻĨে āϏেāĻা āĻাāĻāϞāϏ āĻāϰ āĻŽাāϰ্āĻŦেāϞ āĻĒাāĻĨāϰ āĻĻিā§ে āϏাāĻাāύ āϝাā§, āϏেāĻ āĻāύ্āϝ āύিāϰ্āĻĻেāĻļ āĻĻিā§ে āϝাā§। āĻŽāύে āĻিāϤāϰ āĻাāĻাāϰ āĻ
āĻšংāĻাāϰ āύিā§েāĻ āĻŽাāϰা āϝাā§।” āĻāύি āϝোāĻ āĻāϰāϞ।
āϞāϰেāύ্āϏ āĻāϤāĻ্āώāĻŖ āĻুāĻĒ āĻিāϞ, āĻāĻāύ āĻŦāϞāϞ, “āĻāĻŽাāĻĻেāϰ āĻ্āϰিāϏ্āĻাāύ āϧāϰ্āĻŽেāĻ āĻোāύ āϏāĻŽāϏ্āϝা āĻšāĻŦে āύা। āϤাāĻšāϞে āĻāϰ āĻĻেāϰি āύা āĻāϰে āĻাāĻ āĻļুāϰু āĻāϰি।”
āĻāĻŽি āĻāϤāĻ্āώāĻŖ āĻāĻāĻা āĻāĻĨাāĻ āĻŦāϞি āύাāĻ। āĻāĻŽি āĻļুāϧু āĻāĻāĻĄিā§াāĻা āϧāϰিā§ে āĻĻিā§ে āĻ
āĻĒেāĻ্āώাā§ āĻিāϞাāĻŽ, āĻĻেāĻাāϰ āĻāύ্āϝ āĻĒাāĻŦāϞিāĻ āĻি āĻŦāϞে!
(ā§Ž)
āϝāϤāĻা āϏāĻšāĻ āĻšāĻŦে āĻেāĻŦেāĻিāϞাāĻŽ, āϞাāĻļ āĻĒাāϞ্āĻাāĻĒাāϞ্āĻি āϤāϤāĻা āϏāĻšāĻ āĻšāϞ āύা। āĻŽাāύুāώ āĻŽাāϰা āĻেāϞে āĻি āϤাāϰ āĻāĻāύ āĻŦেā§ে āϝাā§? āĻĒ্āϰāĻĨāĻŽে āĻাāĻ āϏāϰিā§ে āĻā§াāϰ āĻāĻŦ্āĻŦাāϰ āϞাāĻļ āύাāĻŽাāϞাāĻŽ। āĻĒ্āϰāĻāĻŖ্āĻĄ āĻাāϰী āĻāĻŽāĻাāĻ । āϏাāϧাāϰāĻŖāϤ āĻāύ্āĻĻāύ āĻাāĻেāϰ āĻাāĻ ে āĻĻাāĻš āĻāϰাāϰ āύিā§āĻŽ। āϏāĻŦাāϰ āϏেāĻ āϏাāĻŽāϰ্āĻĨ্āϝ āύাāĻ, āϤাāĻ āĻāĻŽāĻাāĻেāϰ āĻাāĻ āĻĻিā§ে āĻĻাāĻš āĻāϰা āĻšā§, āĻāĻĒāϰে āĻোāĻ্āĻ āĻāĻ āĻুāĻāϰো āĻāύ্āĻĻāύ āĻাāĻেāϰ āĻাāĻ āϰাāĻা āĻšā§।
āĻŽিāϤুāϰ āĻāĻŦ্āĻŦাāϰ āϞাāĻļ āĻĒ্āϰāĻĨāĻŽে āĻাāĻĢāύেāϰ āĻাāĻĒā§ āĻĨেāĻে āĻāϞাāĻĻা āĻāϰāϞাāĻŽ। āĻিāĻাāĻŦে āĻĒ্āϝাঁāĻ āĻĻেā§া āĻšā§েāĻিāϞ, āϏেāĻা āĻāĻŽāĻĻেāϰ āĻŽāύে āϰাāĻāϤে āĻšāϞ। āĻŽিāϤুāϰ āĻāĻŦ্āĻŦাāĻে āϧāϰাāϧāϰি āĻāϰে āĻাāĻিā§াāϰ āĻাāĻ āĻĨেāĻে āύিā§ে āĻাāĻ েāϰ āĻāĻĒāϰ āĻļোā§াāϞাāĻŽ। āϤাāϰāĻĒāϰ āĻāĻŽ āĻাāĻ āĻĻিā§ে āĻাāĻĒা āĻĻিāϞাāĻŽ। āĻেāĻšাāϰাāĻ āĻĸেāĻে āĻĻিāϞাāĻŽ, āĻেāĻ āϝেāύ āύা āĻĻেāĻে।
āĻāϰāĻĒāϰ āĻাāĻĢāύেāϰ āĻাāĻĒā§ āĻĻিā§ে āĻā§াāϰ āĻāĻŦ্āĻŦাāϰ āϞাāĻļ āĻাāϞāĻŽāϤ āĻĒ্āϝাঁāĻাāύো āĻšāϞ। āĻ
āύেāĻāĻুāϞো āĻĢিāϤা āĻিāϞ, āϏেāĻুāϞো āĻĻিā§ে āĻেāĻšাāϰাāϰ āĻĻিāĻ āϏāĻš āĻĒুāϰো āϞাāĻļ āĻাāϞāĻŽāϤ āĻĒ্āϝাঁāĻিā§ে āĻাāĻিā§াāϰ āĻāĻĒāϰ āϰাāĻāϞাāĻŽ। āĻāĻŽāύ āϏāĻŽā§ āϰাāĻু āĻŦুāĻĻ্āϧি āĻĻিāϞ, “āĻ
āύেāĻে āĻāϏে āĻাāύ্āύাāĻাāĻি āĻāϰে āϞাāĻļ āĻĻেāĻāϤে āĻাāĻāϤে āĻĒাāϰে, āϤাāϰāĻেā§ে āĻāĻŽāϰা āĻāĻŦāϰে āύাāĻŽিā§ে āϰেāĻে āĻĻেāĻ। āĻĒাāĻļে āĻŽাāĻĻুāϰ āĻāϰ āĻŦাঁāĻļ āϰেāĻĄি āϰাāĻি।” āϏāĻŦাāĻ āĻāĻ āϝোāĻে āϏাā§ āĻĻিāϞ। āϰাāĻু āĻেāϞেāĻা āĻāϏāϞেāĻ āϏ্āĻŽাāϰ্āĻ, āĻļুāϧু āĻāĻĻাāύীং āĻŽাāĻĨাāϰ āϏāĻŦ āĻুāϞ āϧীāϰে āϧীāϰে āĻāĻŽে āϝাāĻ্āĻে- āĻāĻাāĻ āĻāĻ āϏāĻŽāϏ্āϝা।
āϏāĻŦুāĻ, āĻāĻļিāĻুāϞ āĻāϰ āϞāϰেāύ্āϏ āĻāĻŦāϰে āύেāĻŽে āϞাāĻļ āϏুāύ্āĻĻāϰ āĻŽāϤ āϰাāĻāϞ। āĻā§িāϰ āĻĻিāĻে āϤাāĻিā§ে āĻĻেāĻি āĻĒ্āϰাā§ āϏোā§া āĻাāϰāĻা āĻŦাāĻে। āϏāĻŦাāĻ āĻĒ্āϰāĻāĻŖ্āĻĄ āĻেāĻŽে āĻেāĻি। āϰাāĻু āĻ
āύেāĻ āϞāĻŽ্āĻŦা, āϏে āϰুāĻŽাāϞ āĻĻিā§ে āĻĒ্āϝাঁāĻিā§ে āĻŦাāϞ্āĻŦ āĻুāϞে āĻāϰেāĻ āĻšাāϤে āϧāϰে āĻšাāϞ্āĻা āĻŽোāĻā§ āĻĻিā§ে āĻĢিāĻāĻ āĻāϰāϞ। āϤাāϰāĻĒāϰ āĻāĻŦাāϰ āĻāĻেāϰ āĻŽāϤ āϞাāĻিā§ে āĻĻিāϞ। āĻāϞো āĻāϰ āĻ্āĻŦāϞāĻে āύা।
(⧝)
āĻāĻŽাāĻĻেāϰ āĻāĻĒাāϞ āĻাāϞ āĻিāϞ āϝে āĻāĻŽাāĻĻেāϰ āĻ
āĻĒাāϰেāĻļāύ āĻāϞাāϰ āϏāĻŽā§ āĻেāĻ āĻāϏে āĻšাāĻিāϰ āĻšā§ āύি। āĻāϰāĻĒāϰ āĻāĻŽāϰা āĻ
āύ্āϧāĻাāϰে āĻŦেāĻļ āĻā§েāĻāĻŦাāϰ āĻšাঁāĻাāĻšাāĻি āĻāϰāϞাāĻŽ। āĻā§েāĻ āϰাāĻāύ্āĻĄ āϏিāĻাāϰেāĻ āĻেāύে āĻĢেāϞāϞাāĻŽ। āĻāĻāĻŽāĻা āĻĒাঁāĻāĻাāϰ āĻĻিāĻে āĻĻুāĻো āĻাāϰী āĻাā§ি āύাāĻŽাāϰ āĻļāĻŦ্āĻĻ āĻšāϞ, āϤাāϰāĻĒāϰāĻ āĻšুā§āĻŽুā§ āĻāϰে āϏāĻŦাāĻ āĻĸুāĻা āĻļুāϰু āĻāϰāϞ। āϏāĻŦাāĻ āĻŽিāϰāĻĒুāϰ āĻ্āϝাāύ্āĻāύāĻŽেāύ্āĻ āĻĨেāĻে āĻĢিāϰেāĻে।
āϏāĻŦাāϰ āĻি āĻāĻŦāϰ āĻāĻŽāϰা āĻিāĻ্āĻাāϏা āĻāϰāϞাāĻŽ। āĻāĻāϝোāĻে āϏāĻŦাāĻ āĻāĻĨা āĻŦāϞা āĻļুāϰু āĻāϰāϞ। āϝা āĻŦুāĻāϞাāĻŽ, āϤাāĻĻেāϰ āĻŽিāϰāĻĒুāϰ āĻ্āϝাāύ্āĻāύāĻŽেāύ্āĻে āύā§, āϤাāĻĻেāϰ āϏেāύা āĻ্āϝাāĻŽ্āĻĒে āύিā§ে āϰাāĻা āĻšā§েāĻিāϞ। āϏিāĻিāϞিā§াāύ āĻāϰিā§াā§ āϏিāĻি āĻāϰ্āĻĒোāϰেāĻļāύেāϰ āĻāĻŽিāĻāύিāĻি āϏেāύ্āĻাāϰে āĻāĻāύ āϤাāĻĻেāϰ āĻ
āĻĢিāϏ। āϝিāύি āύিā§ে āĻিā§েāĻিāϞেāύ, āϤিāύি āĻāĻāĻāύ āĻ্āϝাāĻĒ্āĻেāύ, āϰাāϤেāϰ āĻ
āύ্āϧāĻাāϰে āϞাāĻļেāϰ āĻŦিāώā§āĻা āϧāϰāϤে āĻĒাāϰে āύি। āĻĒāϰে āĻāĻāĻāύ āĻāϰ্āύেāϞ āĻāϏে āϏাāĻĨে āϏাāĻĨে āϰিāϞিāĻ āĻāϰে āĻাā§িāϤে āύাāĻŽিā§ে āĻĻিāϤে āĻŦāϞে। āϏāĻŦাāĻ āĻĒ্āϰāĻāĻŖ্āĻĄ āĻŦিāϰāĻ্āϤ āĻāϰ āĻাā§াāϰ্āĻĄ। āĻĒ্āϰাā§ āϏāĻŦাāĻ āĻĢিāϰেāĻে, āĻļুāϧু āϤাāϰেāĻ āĻāϰ āϤাāϰ āĻĻুāĻ āĻোāĻāĻাāĻāĻে āĻĻেāĻāĻি āύা। āϏāĻŽ্āĻāĻŦāϤ āĻāĻŽাāĻĻেāϰ āĻāĻ āĻŦāύ্āϧু āϧোāϞাāĻā§েāϰ āϧাāĻ্āĻা āĻāĻāύো āϏাāĻŽāϞে āĻāĻ āϤে āĻĒাāϰে āύি।
āĻāĻŽি āĻŽāύে āĻŽāύে āĻিāύ্āϤা āĻāϰāϞাāĻŽ, “āĻāĻ āϏুāϝোāĻ।” āĻāύি āĻিāĻ্āĻাāϏা āĻāϰāϞ, “āϤাāĻšāϞে āĻĻ্āϰুāϤ āĻাāĻ āĻļেāώ āĻāϰি?” āϏāĻŦাāϰ āĻāĻ āĻŦাāĻ্āϝ āĻāϤ্āϤāϰ, “āĻš্āϝাঁ āĻš্āϝাঁ, āĻļুāϰু āĻāϰ।” āĻ
āύāύ্āϤ āĻিāĻ্āĻেāϏ āĻāϰāϞ āĻĒুāϰোāĻšিāϤ āĻāĻ। āϏাāĻĨে āϏাāĻĨেāĻ āĻĒুāϰোāĻšিāϤ āĻāϏে āĻāĻĒāϏ্āĻĨিāϤ। āĻāύি āĻŽাāϤ্āϰ āĻāϏে āĻĒৌঁāĻেāĻেāύ।
āϞাāĻāĻ āĻাāϞাāύোāϰ āĻেāώ্āĻা āĻāϰে āĻĒুāϰোāĻšিāϤ āύা āĻĒেāϰে āĻŦিāϰāĻ্āϤ āĻšāϞেāύ, “āĻাāĻ, āĻেāĻ āĻŽোāĻŦাāĻāϞ āĻĢোāύেāϰ āĻāϰ্āĻ āĻŦāύ্āϧ āĻāĻāϰেāύ āύা। āϞাāĻāĻ āĻĢিāĻāĻ। āĻāĻŽি āĻŽāύ্āϤ্āϰ āĻĒā§āĻি। āĻāύাāϰ āĻĢ্āϝাāĻŽিāϞিāϰ āϞোāĻāĻāύ āĻāĻ?”
āĻāĻŽāϰা āϝে āĻāĻļāĻ্āĻা āĻāϰেāĻিāϞাāĻŽ āϏেāĻা āĻšāϞ āύা। āĻিāϤাā§ āĻāĻুāύ āĻĻেā§াāϰ āĻĒাঁāĻ āĻŽিāύিāĻ āĻĒāϰ āĻিā§েāϰ āĻĨেāĻে āĻেāĻ āĻŦāϞāϞ, “āϤাāĻšāϞে āĻāĻŦাāϰ āϏāĻŦাāĻ āϞাāĻļ āĻĻাāĻĢāύ āĻāϰি।” āĻāĻŽāϰা āĻাāύাāϞাāĻŽ āϝে, āĻāĻŽāϰা āĻাāĻ āĻāĻুāύোāϰ āĻāύ্āϝ āϏāĻŦ āϰেāĻĄি āĻāϰে āϰেāĻেāĻি। āĻাā§েāϰ āĻাāĻা āĻŦāϞāϞ, “āĻুāĻŦ āĻাāϞ āĻāϰāĻ, āĻŦাāĻŦাāϰা। āϏাāϰাāĻĻিāύ āĻ
āύেāĻ āĻāώ্āĻ āĻāϰāĻ। āĻāϰ āϤোāĻŽাāĻĻেāϰ āĻāώ্āĻ āĻĻিāĻŦ āύা। āύাāĻ, āĻাāĻ āĻļুāϰু āĻāϰি।” āĻāύি āĻāĻĨা āĻļেāώ āĻāϰাāϰ āĻāĻেāĻ āϏুāĻŽāύ, āϏāĻŦুāĻ, āĻ
āύিāĻ āĻĻ্āϰুāϤ āĻāĻŦāϰে āύেāĻŽে āĻŦাঁāĻļ āĻāϰ āĻাāĻাāĻ āĻĻিā§ে āĻĸেāĻে āĻĻেā§া āĻļুāϰু āĻāϰāϞ। āĻāĻাāĻĻ āĻাāĻা-āĻে āĻāĻŦāĻা āĻ
āύ্āϧāĻাāϰে āĻোāĻে āĻĒā§āϞ। āϤিāύি āĻŦāϞāϞেāύ, “āĻĻেāύ, āϏāĻŦাāĻ āĻŽাāĻি āĻĻেāύ।” āϏāĻŦাāĻ āĻāĻ্āϰāĻŦāϰ্āϤী āĻāĻ্āĻেāϞেāϰ āĻāĻŦāϰে āĻāĻ āĻŽুāĻ ি āĻŽাāĻি āĻিāĻাāϞ।
āĻিā§েāϰ āĻŽāϧ্āϝে āĻĒ্āϰāĻļ্āύ āĻāϰāϞ, “āĻোāϰāĻোāĻĻāĻāϰা āĻāĻ?” āĻāĻļিāĻুāϞ āĻāϤ্āϤāϰ āĻĻিāϞ, “āĻāĻĒāύাāĻĻেāϰ āĻĻেāϰি āĻĻেāĻে āĻŦাāϏাā§ āĻāϞে āĻেāĻে। āϤāĻŦে āĻোāĻĻাāϞ āĻāĻে। āĻāĻŽāϰাāĻ āĻŽাāĻি āĻĻিā§ে āĻĸেāĻে āĻĻিāĻ্āĻি।”
āĻŽাāĻি āĻĻিā§ে āĻāĻŦāϰ āϏাāĻাāϤে āĻĒ্āϰাā§ āĻŦিāĻļ āĻŽিāύিāĻ āϏāĻŽā§ āϞাāĻāϞ। āϤাāϰāĻĒāϰ āĻāĻাāĻĻ āĻাāĻা āĻŦāϞāϞ, “āĻāϏেāύ, āϏāĻŦাāĻ āĻāĻāĻŦাāϰ āϏূāϰা āĻĢাāϤিāĻšা āĻāĻāĻŦাāϰ, āĻāϰ āϤিāύāĻŦাāϰ āϏূāϰা āĻāĻāϞাāϏ āĻĒā§ি।” āĻŽুāϏāϞāĻŽাāύāϰা āϏāĻŦাāĻ āϏূāϰা āĻĒā§াāϰ āĻĒāϰ āĻāύি āĻĻোā§া āĻļুāϰু āĻāϰāϞেāύ। āĻāĻŽি āĻāϰ āĻāĻে āĻāĻāύো āĻĻুā§াāϰীāĻĒাā§া āĻোāϰāϏ্āĻĨাāύে āĻāϏি āύাāĻ। āĻāĻŽি āĻ
āĻŦাāĻ āĻšā§ে āϞāĻ্āώ্āϝ āĻāϰāϞাāĻŽ, āĻāύি āĻļুāϧু āĻāĻāĻে āϝিāύি āĻŽাāϰা āĻেāĻেāύ, āϤাāϰ āĻāύ্āϝ āύা, āϏāĻŦাāϰ āĻāύ্āϝ āĻĻোā§া āĻāϰāĻেāύ। āĻāĻŽāύāĻি āĻāĻ āĻোāϰāϏ্āĻĨাāύে āĻšিāύ্āĻĻু, āĻŦৌāĻĻ্āϧ, āĻ্āϰিāϏ্āĻাāύ āϝাāĻĻেāϰ āĻĻাāĻĢāύ āĻŦা āĻĻাāĻš āĻāϰা āĻšā§েāĻে āϏāĻŦাāϰ āĻāϤ্āĻŽাāϰ āĻļাāύ্āϤিāϰ āĻāύ্āϝ āĻĻোā§া āĻāϰāϞেāύ। āĻāύি āĻāĻāĻŦাāϰেāϰ āĻāύ্āϝ ‘āĻŽুāϏāϞিāĻŽ āĻāĻŽ্āĻŽাāĻš’ āĻŦা āĻāĻ āϧāϰāύেāϰ āĻিāĻুāĻ āĻŦāϞāϞেāύ āύা। āύিāĻেāϰ āĻাāύে āĻļুāύāϞাāĻŽ, āĻāύি ‘āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŦ āĻŽাāύুāώ’ āϝেāύ āĻļাāύ্āϤিāϤে āĻĨাāĻāϤে āĻĒাāϰে āϏেāĻ āĻāύ্āϝ āĻāϰ্āĻি āĻাāύাāĻ্āĻেāύ। āĻĢā§āϏাāϞেāϰ āĻŦāĻ্āϤৃāϤা āĻļুāύে āϞাāĻļ āĻĒাāϞ্āĻাāĻĒাāϞ্āĻি āĻāϰে āϝে āĻāĻāĻা āĻšাāϞ্āĻা āĻĒাāĻĒāĻŦোāϧ āĻিāϞ, āϏেāĻা āĻেāĻŽāύ āϝেāύ āĻেāĻে āϝাāĻ্āĻে। āĻĢā§āϏাāϞেāϰ āĻĻিāĻে āϤাāĻাāϞাāĻŽ, āϏে āĻাāύāϤেāĻে। āĻ
āύেāĻেāϰ āĻোāĻেāĻ āĻĒাāύি। āĻāϰো āĻ
āĻĻ্āĻুāĻĻ āĻāĻāύা, āϏাāĻāĻĄে āĻĻেāĻি āĻ
āύāύ্āϤ, āϞāϰেāύ্āϏ āϏāĻš āĻ
āύ্āϝ āĻšিāύ্āĻĻু āϝাāϰা āĻāĻĒāϏ্āĻĨিāϤ āϤাāϰাāĻ āĻšাāϤ āϤুāϞেāĻে। āĻāĻŽি āĻāĻ āϧāϰāύেāϰ āĻ
āĻĻ্āĻুāĻĻ āĻāĻāύা āĻীāĻŦāύেāĻ āĻĻেāĻি āύাāĻ। āĻŽাāĻĨাāϰ āĻিāϤāϰāĻা āĻেāĻŽāύ āϝেāύ āĻšā§ে āĻেāϞো।
(ā§§ā§Ļ)
āĻĻীāϰ্āĻ āϏāĻŽā§ āĻĻোā§া āĻļেāώে āĻāĻŽāϰা āϏāĻŦাāĻ āĻŦাā§িāϰ āĻĒāĻĨ āϧāϰāϞাāĻŽ। āĻāĻŽāύ āϏāĻŽā§ āĻĻুāĻ āĻāύ āĻোāϰāĻোāĻĻāĻ āĻšাāĻিāϰ। āĻšাāϞ্āĻা āϧāĻŽāĻ āĻাāĻāϞ। āĻŽিāϤুāϰা āϤিāύ āĻŦোāύ - āĻŽিāϤু, āύিāĻĒা āĻāϰ āĻŽাāϞিāĻšা। āĻোāύ āĻাāĻ āύা āĻĨাāĻাā§ āĻোāϰāϏ্āĻĨাāύে āϤাāϰ āĻā§েāĻāĻāύ āĻāϤ্āĻŽীā§ āĻāϏāĻে। āĻŽিāϤুāϰ āĻāĻ āĻāϤ্āĻŽীā§āĻে āĻĻেāĻāϞাāĻŽ, āĻŽাāύিāĻŦ্āϝাāĻ āĻুāϞে āĻĒাāϰিāĻļ্āϰāĻŽিāĻ āĻĻিāϞ। āĻŦāĻāĻļিāĻļ āĻাāĻā§াā§ āĻŦāĻāĻļিāĻļ-āĻ āĻĻিāϞ। āϏāĻŦাāϰ āĻļেāώে āĻāĻŽāϰা āĻŦেāϰ āĻšāϞাāĻŽ। āĻেāĻেāϰ āĻাāĻে āĻāϏে āϏāĻŦাāĻ āĻāĻāĻŽāϤ āĻšāϞাāĻŽ, āĻāĻāĻেāϰ āĻāĻāύা āĻেāĻ āĻোāύāĻĻিāύ āĻুāϞেāĻ āĻাāύāĻŦে āύা। āĻāϰেāĻ āĻŦāύ্āϧু āĻŽাāύিāĻেāϰ āĻāĻĨা āĻŽāύে āĻĒāϰāϞ। āĻĒ্āϰāĻুāϰ āĻĄ্āϰিāĻ্āĻāϏ āĻāϰে, āύেāĻļাāĻ āĻāϰে। āϏে āϏ্āĻĒেāύে āĻāϞে āϝাāĻā§াā§ āĻŦেঁāĻে āĻেāĻি। āϏে āĻĨাāĻāϞে āϏāĻŦ āĻāĻāύা āĻĒāϰে āĻŽাāϤাāϞ āĻ
āĻŦāϏ্āĻĨাā§ āĻĢাঁāϏ āĻāϰে āĻĻিāϤ।
āĻĻāϰāĻাāϰ āĻ িāĻ āĻাāĻে āĻāĻĒāϏ্āĻĨিāϤ āĻšā§ে āĻĒিāĻāύে āϤাāĻাāϞাāĻŽ। āĻŽুā§াāĻ্āĻিāύ āĻĒাāĻļেāϰ āĻŽāϏāĻিāĻĻে āĻāĻাāύ āĻĻিāĻ্āĻে। āĻāĻāĻা āĻ্āϰুāĻļ āĻোāĻে āĻĒāϰāϞ, āϏেāĻাāύে āĻোāύ āĻ্āϰিāϏ্āĻাāύেāϰ āĻāĻŦāϰ āĻāĻে। āĻāĻāĻেāϰ āϰাāϤ āĻāĻāĻা āϏ্āĻŽāϰāĻŖীā§ āϰাāϤ। āĻā§েāĻ āϏেāĻেāύ্āĻĄ āϤাāĻিā§ে āĻĨেāĻে āĻেāĻ āĻĻিā§ে āĻŦেāϰ āĻšā§ে āĻāϏāϞাāĻŽ।